The San Diego Museum Exhibition in Kyoto
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The San Diego Museum Exhibition in Kyoto

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art

Last month, I attended an art exhibition featuring collections from San Diego museum of art. Since I've heard about the museum from my friend from Texas, I was looking forward to seeing their works.

San Diego museum of art established in 1926 and has over 32,000 art pieces, which especially features Italian and Spanish art.

The exhibition started with frescoes. I'm a big fan of that style, so I truly enjoyed looking around.

Portrait of Spanish prince painted by a female painter, Sofanisba Anguissala (1573). She was born in the northern Italy and later moved to Spain.

The Conversion of the Magdalene by Bernardino Luini (1520), who was an apprentice of Leonardo Da Vinci. I think the woman on the right looks like Mona Lisa.

Apollo and Daphne painted by Paolo Veronese (1560-65). Paolo Veronese is considered one of the top three masters of Venetian Renaissance art. The painting is one of the scenes from Greek Methodology.

The Arrest of Christ by Hieronymus Bosch (1515). Everybody's facial expression looks quite creepy.

Mystical Marriage of Saint Catherine of Alexandria.

The Arrest of Saint Engracia by Bartolome Bermejo (1474-77).

From the 16th century to the 17th century, still life paintings became popular in European countries. In Spain, this style was known as Bodegón.

Agnus Dei by Francisco de Zubaran (1635-40).

Still life with Quince, Cabbage, Melon, and Cucumber by Juan Sanchez Catan (1602). I used to love painting still lifes with oil paints before starting painting on porcelain. I especially enjoyed low-key compositions, so these works are absolutely my favorites.

After Caravaggio passed away, painting like he became trendy.

The Penitent Magdalene by Gulio Prococcini (1620).

Susanna and the Elders by Josepe de Rivera (1615). I can clearly see the Caravaggio's dramatic influence in this painting.

Aeneas and His Father Fleeing Troy by Simon Vouet (1635). Simon Vouet was from Paris and spent some time living in Rome.

David with Head of Goliath by Antonio de Bellis (1642-43). When I looked at this painting, I thought of my Jewish friend who once told me the story.

Allegory of Eternity, the Succession of the Popes by Peter Paul Rubens (1622-25). This painting was actually a sketch for a tapestry. Even so, it was magnificent because it's from Rubens.

The Holy Family with Saints Francesco, Anna, John the Baptist by Rubens and his apprentices (1630).

The Grand Canal with the Rialto Bridge from the South by Francesco Guardi (1775).

The Molo from the Basin of San Marco, Venice by Bernardo Bellotto. When I first saw this painting, I thought it was by one of my favorite painters, Canaletto, but I was wrong. This painting definitely reminded me of the fun time in Venice with my Italian friends. If you're interested in Canelotto, you can read my post about his paintings here. If you are more curious about my time in Venice, please take a look at my old blog post here. This painting was created in the 18th century, yet even in the 21th century, Venice hasn't changed at all, which always amaze me.

A Vase of Flowers by Rachel Ruysch (1689). Flower painting started in Holand, and Rachel Ruysch, a daughter of a plant biologist was a female painter who was known as an expert of flower paintings.

The Radotto by Giuseppe de Gobbis (1760). This painting is a great example to learn what the social gatherings looked like in the 18th centry Venice. It's fascinating to see everybody wearing masks. I'd love to know the reason. It reminded me of the masquerade scene from Romeo and Juliet.

Sleeping Shepherdess by Nocolas Lancert (1730). During the Rococo period, similar themes were often painted. What is the man peeking?

Self-Portrait by Marie-Gabrielle Capet (1763).

A Marauder by Theodore Robinson (1891).

The Young Shepherdess by William-Adolphe Bouguereay (1885).

Etienne-Rene, Cardinal Potier de Gesvres by Pompeo Giolomo Botoni (1758). The picture can't capture it well, but the details of this painting was breathtaking.

Vicente Maria de Vera de Aragon, Duque de la Roca by Francisco Goya (1795).

Maria at La Granja by Joaquin Sorolla (1907).

By the Searshore, Valencia by Joaquin Sorolla (1908). This painting is a perfect example for studying shadow and light, absolutely stunning.

After looking around the exhibition, it made me think I'd love to visit San Diego museum of art someday. They truly have wonderful collections.

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